Carl Larsson
A Sweden Museum


Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.
Carl Larsson

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TINTORETTO, Jacopo
The Birth of John the Baptist, detail ar
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ID: 09293

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TINTORETTO, Jacopo The Birth of John the Baptist, detail ar


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TINTORETTO, Jacopo

Birth Year:, 1518. Death Year:, 1594  Related Paintings of TINTORETTO, Jacopo :. | The Miracle of St Mark Freeing the Slave | Christ before Pilate | Christ and the Woman Taken in Adultery adf | St.Roch | Judith and Holofernes ar |
Related Artists:
Johann Jakob Biedermann
b Winterthur, 7 Oct 1763; d Aussersihl, Schwyz, 10 April 1830
Josep Morell Macias
Spain (1899- 1949 ) painted Arreglant-se per anar a ballar in 1882
Max Slevogt
German Impressionist Painter, 1868-1932 German painter, printmaker and illustrator. His father, adjutant and friend of the future Prince Regent, Luitpold (1821-1912), died when Slevogt was just two years old. His mother moved to Werzburg, where he spent his schooldays. Even in his childhood and adolescence, family connections brought Slevogt to Pfalz, to an aunt in Landau and to the Finkler family in Neukastel. Initially he had planned to become a musician, but he began to study painting at the Akademie der Bildenden Kenste in Munich in 1885. His fellow students included Gabriel von Hackl (1843-1926), Karl Raupp (1837-1918), Ludwig Herterich (1856-1932) and Wilhelm von Diez (1839-1907). In 1889 he spent a term at the Academie Julian in Paris. At that time Impressionism had very little effect on him. Following a trip to Italy in 1890 with the painter Robert Breyer (1866-1941) who had befriended him at the Akademie, he began to work independently as a painter in Munich. In 1893 he participated in the first exhibition of the newly founded Munich Secession, exhibiting Wrestling School (1893; Edenkoben, Schloss Villa Ludwigshehe); the judges wanted to refuse this painting as immoral since its entwined and naked men caused offence. In the following years his paintings often appeared harsh and non-academic to conservative Munich circles. At this time Slevogt also made contributions to the journals Jugend and Simplizissimus, which were significant in the development of his graphic work.






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